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Alternative-rock guitarist Mike McCready (b. 1966) was born in Pensacola, Florida. His family moved to Seattle soon afterwards. He was 11 when he bought his first guitar and began to take lessons. In high school, McCready formed a band that disintegrated after they were unsuccessful in obtaining a record contract in Los Angeles. Disillusioned, he did not pick ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Mike Stern (b. 1953), the American jazz guitarist, emerged as a major force in the jazz guitar scene through his work with Miles Davis’ band in the early Eighties, Stern has played with stars such as Stan Getz, Jaco Pastorius, Pat Martino and David Sanborn. Stern was also a guitarist in Steps Ahead and the Brecker Brothers ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

For 35 years Mike Oldfield (b. 1953) has created work that melds progressive rock, folk, world music, classical music, electronic music, new age and dance. He is best known for his hit 1973 album Tubular Bells, which provided a theme for the movie The Exorcist, broke new ground as an instrumental concept album, ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin

Blues-rock guitarist Mike Bloomfield was born in Chicago, Illinois in 1943, to an affluent Jewish family. He possessed an innate ability on guitar, which he began playing at the age of 13, initially influenced by Scotty Moore. Despite his background, Bloomfield quickly became a devotee of Chicago’s indigenous blues scene, frequently visiting clubs on the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Guitar, vocals, 1943–81) Bloomfield apprenticed in Chicago with legends such as Muddy Waters and Howlin’ Wolf, as well as among his peers Paul Butterfield, Charlie Musselwhite and Elvin Bishop. He played on classics with the Paul Butterfield Blues Band (1966’s East-West), Bob Dylan (1965’s Highway 61 Revisited) and organist Al Kooper (1968’s Super Session). He helped to ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, 1943–81) Once a mainstay of Chicago’s Paul Butterfield Blues Band and the shorter-lived Electric Flag, Bloomfield was a prime mover in an apparent shift towards recognition for individual players rather than groups in the late 1960s. Joined by guitarist Stephen Stills and organist Al Kooper, his modestly titled Super Session was the best-selling CBS album of 1968. ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Multi-instrumentalist, b. 1953) A prodigiously talented musician, Oldfield played all the instruments on 1973’s Tubular Bells. This symphonic work was a transatlantic best-seller, helped by the use of its main theme in the movie The Exorcist (1973). Hergest Ridge (1974) was a British No. 1 whilst Ommadawn (1975) and Incantations (1978) displayed African and folk influences. Platinum (1979) ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Queen guitarist Brian May is among the most recognizable players in the world. His distinctive tones, created by the home-made guitar he built when he was 16 and has used throughout his career, are integral to the sound of Queen. Many of the sounds he produced were so innovative that the first seven Queen albums pointedly stated that no ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal/instrumental group, 1990–present) Emerging out of former Seattle band Mother Love Bone, the classic line-up consisted of Eddie Vedder (vocals), Stone Gossard (guitar), Mike McCready (guitar), Jeff Ament (bass) and Dave Abbruzzese (drums). The spiky hook-laden rock of Ten (1991) sold in large numbers after Nirvana made Seattle alternative bands popular. Touring with the Lollapalooza II circus cemented their ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The high quality of performance and sound on modern CDs, as well as the sheer range of recordings available, has had a dramatic effect on the reception of classical music. On the one hand, recording has brought the music to much larger audiences than concert halls could ever accommodate. On the other hand, it has altered the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Tubular bells, also known as orchestral or symphonic chimes, are a set of tuned steel tubes with a chrome finish, hanging vertically in a stand with a pedal damper. The optimum range for a chromatic set of tubular bells is 11⁄2 octaves rising from middle C (c'–f''), as notes above or below this range are difficult to tune ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Adele was just three years old when she attended her first live gig with her mother: a Cure concert in London’s Finsbury Park. It was the same year her father, a Welsh plumber, left her mother, practically severing all ties with his daughter in the process. After that first gig, the tot took to the music straight ...

Source: Adele: Songbird, by Alice Hudson

(Vocal/instrumental group, 1987–present) This Seattle group, Layne Staley (vocals), Jerry Cantrell (guitar), Mike Starr (bass) and Sean Kinney (drums), cut their teeth on a winning blend of metal and acoustic numbers before being remarketed as a ‘grunge’ act after Nirvana’s huge success. Their second album Dirt (1992) won acclaim and huge sales, a position cemented by Jar Of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

One of the greatest achievements any guitar player can attain is an immediately recognizable signature tone and style. And though many guitarists have realized this goal, few have done it as emphatically as Police guitarist Andy Summers (b. 1942). From the chord stabs of ‘Roxanne’ and ‘Don’t Stand So Close To Me’ to the arpeggios of ‘Message In A Bottle’ ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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